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    \n

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    \nMACRO Testaccio
    Mostre

    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

    Leggi tutto\n
    \n \n \n\n \n \n \n\n ", "css_files" => array( "jquery.fancybox.css" ) ); $arr_1 = array( 1 => "1" ); $arr_2 = array( "ez_lock/not_locked" ); $TemplateInfo = array( "original_key" => "7a34309d905085ced81a60f86ad35f18", "key" => "7a34309d905085ced81a60f86ad35f18-clean", "uri" => "design:page_footerboxes.tpl", "debug" => false, "resource" => "design", "template_path" => "page_footerboxes.tpl", "resource_parameters" => array( "ezdesign:used_keys" => array( "object" => "1174", "node" => "648", "parent_node" => "87", "class" => "17", "view_offset" => false, "navigation_part_identifier" => "ezcontentnavigationpart", "viewmode" => "full", "depth" => "3", "remote_id" => "ff8967764ea769f4d3e1704f3c1533dc", "node_remote_id" => "c5a10d7bf8be4431cdacfcc3351e0160", "url_alias" => "", "persistent_variable" => $arr_0, "class_group" => false, "parent_class_id" => "16", "parent_class_identifier" => "snodo", "state" => $arr_1, "state_identifier" => $arr_2, "section" => "1", "class_identifier" => "homepage" ), "ezdesign:matched_keys" => array() ) ); $arr_3 = array( array( 1, 70, 74 ), array( 3, 0, 76 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_7 = array( "", 2, "mc_context" ); $arr_8 = array( array( 3, "root_node", false ) ); $arr_9 = array( array( 3, "node_id", false ) ); $arr_10 = array( "array", array( array( 1, "footerboxes", false ) ) ); $arr_6 = array( "hash", array( array( 1, "parent_node_id", false ) ), array( array( 4, $arr_7, false ), array( 5, $arr_8, false ), array( 5, $arr_9, false ) ), array( array( 1, "class_filter_type", false ) ), array( array( 1, "include", false ) ), array( array( 1, "class_filter_array", false ) ), array( array( 6, $arr_10, false ) ) ); $arr_5 = array( "fetch", array( array( 1, "content", false ) ), array( array( 1, "list", false ) ), array( array( 6, $arr_6, false ) ) ); $arr_4 = array( "footerboxes_nodes" => array( array( 6, $arr_5, false ) ) ); $arr_11 = array( array( 3, 0, 77 ), array( 6, 87, 374 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_12 = array( array( 6, 87, 375 ), array( 7, 0, 376 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_14 = array( 7, 27, 405 ); $arr_15 = array( 10, 8, 443 ); $arr_16 = array( 2, false, " ", array( array( 10, 60, 497 ), array( 11, 12, 510 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_18 = array( 4, array( "", 2, "attribute" ), false ); $arr_19 = array( 4, array( "", 2, "mc_context" ), false ); $arr_20 = array( 5, array( array( 3, "root_node", false ) ), false ); $arr_17 = array( 4, false, "attribute_view_gui", array( "attribute" => array( $arr_18 ), "root_node" => array( $arr_19, $arr_20 ) ), array( array( 11, 12, 511 ), array( 11, 83, 582 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_21 = array( 2, false, " ", array( array( 11, 83, 583 ), array( 12, 8, 592 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_23 = array( 2, 0, false ); $arr_24 = array( 3, "data_map", false ); $arr_22 = array( array( 4, array( "", 2, "footerboxes_nodes" ), false ), array( 5, array( $arr_23 ), false ), array( 5, array( $arr_24 ), false ) ); $arr_25 = array( array( 4, array( "", 2, "attribute" ), false ) ); $arr_26 = array( 10, 8, 444 ); $arr_27 = array( 10, 60, 496 ); $arr_28 = array( 12, 15, 602 ); $arr_29 = array( 16, 6, 657 ); $arr_30 = array( null, null, null ); $arr_31 = array( null, null, null ); $arr_32 = array( 22, 17, 822 ); $arr_33 = array( 25, 0, 838 ); $arr_13 = array( array( 2, false, "\n
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    Leggi tutto\n
    \n \n \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    21/05 - 13/09/2015
    \n
    \nAll the possible combinations of twelve lights lighting (one at a time)
    \nMACRO Via Nizza
    Mostre

    Jonathan Monk (Leicester, UK, 1969) ha parcheggiato la sua Vespa PK all'interno del museo, con le luci accese. Il faro di testa, quello di coda, le frecce, le luci dei freni e quelle sul cruscotto si accendono e si spengono in un ordine apparentemente casuale.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    17/04 - 13/09/2015
    \n
    \nMACRO Via Nizza, Project room #1 e #2
    Mostre

    L'artista greco Nakis Panayotidis presenta una selezione di opere realizzate negli ultimi dieci anni, che fanno parte di una scelta delle opere in mostra al Kunstmuseum Bern fino allo scorso 15 marzo per la sua retrospettiva Nakis Panayotidis. Seeing the Invisible.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    15/05 - 13/09/2015
    \n
    \nMACRO Via Nizza
    Mostre

    La mostra espone opere dei maggiori artisti belgi del XX secolo e del XXI secolo, delineando una panoramica sull’arte e la cultura belga del periodo, sulle sue molteplici declinazioni e sul suo carattere iconoclasta, ironico e poetico.

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    06/05 - 23/08/2015
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    \nLa Pelanda - Centro di produzione culturale
    Mostre

    Antologica che ripercorre i passaggi decisivi del lavoro artistico di Sergio Staino, esponendo circa 300 opere, tra disegni, acquerelli e lavori digitali, in un percorso affascinante che permette di cogliere le diverse sfaccettature e le diverse fasi dell'intensa attività creativa di uno dei nostri massimi disegnatori e vignettisti, nonché attento narratore e arguto critico del costume nazionale.

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    05/06 - 20/09/2015
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    \nMACRO Testaccio
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    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

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    Página Inicial > Percursos por salas > Museo del Palacio de... > Salas de los Horti de Mecenas
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    Museo del Palacio de los Conservadores

    El Palacio de los Conservadores, sede por muchos siglos de la homónima magistratura ciudadana, alberga desde el siglo XV esculturas de la colección capitolina. La arquitectura interior del palacio y la disposición de las obras se ha ido modificando a lo largo del tiempo. Originariamente colocadas en el pórtico exterior de la planta baja, en la fachada y el patio, las esculturas han ido aumentando y ocupando las salas de la primera planta. La denominación de Museo del Palacio de los Conservadores se adoptó en 1876 con la ampliación de los espacios expositivos.
    La reestructuración se completó en 2005 y cambió radicalmente el aspecto de esta sección museística gracias a la realización de gran sala con ventanales para los grandes bronces capitolinos, la nueva disposición de las salas de los Horti Romani y de la colección Castellani, así como la creación de un amplio sector dedicado al templo de Júpiter Capitolino.

    Salas de los Horti de Mecenas

    Museo del Palacio de los Conservadores - Salas de los Horti de Mecenas

    Los Horti de Mecenas son los más antiguos de los jardines residenciales del Esquilino: el amigo y consejero del emperador Augusto transformó en una suntuosa residencia una zona hasta ese momento destinada a ser necrópolis. Los Horti pasaron a ser dominio imperial y en el periodo neroniano los jardines constituyeron una prolongación de la Domus Aurea. 
    La única construcción que se conserva es el Auditorium, triclinio de verano decorado por frescos con vistas de jardines. 

    La decoración escultórica, troceada y reutilizada para rellenar los muros tardo-antiguos, delata los intereses culturales del dueño de casa, con imágenes de Musas y retratos de ilustres personajes del círculo literario, así como su pasión para la colección de estelas funerarias griegas y copias de altísima calidad de de originales griegos.

    Esquilino acogió en la antigüedad una serie de importantes jardines residenciales. Primero entre todos, los  Horti de Mecenas , amigo y consejero del emperador Augusto, que transformó una zona de mala fama en una prestigiosa área residencial.
     De la suntuosa residencia de Mecenas, bien conocida por las descripciones literarias y decantadas sobre todo por Horacio, el único testimonio arqueológico aún existente está constituido por el Auditorium, un triclinio estivo semi-subterráneo decorado con frescos de jardines en los cuales se insertan pequeñas esculturas y fontanas, casi queriendo anular la falta de aberturas hacia el exterior. Los frescos son fechados en la época de los Mecenas y en el primer decenio del Siglo I d.C., cuando los jardines pasaron al dominio imperial.
    La villa representó entonces una especie de continuación de la inmensa extensión territorial ocupada por la Domus Aurea: no es un caso que Nerón asistió al espectáculo del incendio de Roma propio desde lo alto de la torre de los Horti de Mecenas.

    La rica decoración de los horti se transformó, durante las excavaciones de fines del siglo pasado, en remiendos utilizados como material para la construcción en el interior de muros tardo-antiguos, según una costumbre frecuentemente comprobada sobre todo en el Esquilino.

    Entre las obras decorativas se destacan la bellísima fuente con forma de cuerno potorio firmada por el artista griego Pontios, que encuentra una directa respuesta temática en el refinado relieve con Ménade danzante derivado de modelos griegos de fines del Siglo V a.C.
    De altísimo nivel artístico es la cabeza de Amazona, copia de un original atribuido a uno de los más grandes artistas griegos del Siglo V a.C., mientras impresiona por su extraordinario verismo de sello helenístico la estatua de Marsia en la cual las lívidas vetas del mármol pavonazzetto evidencian el sufrimiento del personaje.

    La espléndida estatua del perro, probablemente obra de producción alejandrina, realizada en un rarísimo mármol jaspeado proveniente de Egipto y testimonio del gusto coleccionista del dueño de casa. Extremamente significativa es la presencia de un grupo de Musas perfectamente ambientadas en el programa decorativo de los horti y espejo de las inclinaciones artísticas de Mecenas. El grupo de la Auriga, obra de gran consistencia artística de la primera edad imperial creada según estilema del Siglo V a.C., representa el ejemplo de una afortunada recuperación reconstruida con fragmentos hallados en la misma área pero a una gran distancia entre uno y otro.

    La continua evocación a la civilización artística griega, bagaje indispensable de cada culto romano, está testimoniado por el coleccionismo de obras originales, como la espléndida estela sepulcral con figura femenina caracterizada por la compleja y preciosa forma de los pliegues y por la presencia de refinadas copias de obras griegas como la austera e imponente estatua de Demetra o la de Hércules luchador de un original de fines del Siglo IV a.C. caracterizado por un dinamismo sobresaliente.

    Salas de los Horti de Mecenas

    Escultura
    Copia romana del original griego del siglo II a.C.
    inv. MC1077
    Escultura
    Del original griego del siglo III a.C.
    inv. MC0845
    Escultura
    Del original de finales del siglo IV a.C.
    inv. MC1088
    Escultura
    Del originale del siglo V a.C.
    inv. MC1091
    Escultura
    Primera época augustea
    inv. MC1101
    Escultura
    inv. MC1110
    Escultura
    Del original de época helenística
    inv. MC1823
    Escultura
    Del original de época helenística
    inv. MC1824
    Escultura
    Del original helenístico del siglo II a.C.
    inv. MC2011

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