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    \n

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    \nMACRO Testaccio
    Mostre

    Prima mostra personale in un museo italiano dell’artista americano Josh Smith, nato nel Tennessee nel 1976 ma residente a New York, la cui ricerca si fonda su tecniche come la pittura su carta, il collage, l’incisione e l’edizione di libri d’artista, che Smith considera a tutti gli effetti delle opere in sé.

    Leggi tutto\n
    \n \n \n\n \n \n \n\n ", "css_files" => array( "jquery.fancybox.css" ) ); $arr_1 = array( 1 => "1" ); $arr_2 = array( "ez_lock/not_locked" ); $TemplateInfo = array( "original_key" => "7a34309d905085ced81a60f86ad35f18", "key" => "7a34309d905085ced81a60f86ad35f18-clean", "uri" => "design:page_footerboxes.tpl", "debug" => false, "resource" => "design", "template_path" => "page_footerboxes.tpl", "resource_parameters" => array( "ezdesign:used_keys" => array( "object" => "1174", "node" => "648", "parent_node" => "87", "class" => "17", "view_offset" => false, "navigation_part_identifier" => "ezcontentnavigationpart", "viewmode" => "full", "depth" => "3", "remote_id" => "ff8967764ea769f4d3e1704f3c1533dc", "node_remote_id" => "c5a10d7bf8be4431cdacfcc3351e0160", "url_alias" => "", "persistent_variable" => $arr_0, "class_group" => false, "parent_class_id" => "16", "parent_class_identifier" => "snodo", "state" => $arr_1, "state_identifier" => $arr_2, "section" => "1", "class_identifier" => "homepage" ), "ezdesign:matched_keys" => array() ) ); $arr_3 = array( array( 1, 70, 74 ), array( 3, 0, 76 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_7 = array( "", 2, "mc_context" ); $arr_8 = array( array( 3, "root_node", false ) ); $arr_9 = array( array( 3, "node_id", false ) ); $arr_10 = array( "array", array( array( 1, "footerboxes", false ) ) ); $arr_6 = array( "hash", array( array( 1, "parent_node_id", false ) ), array( array( 4, $arr_7, false ), array( 5, $arr_8, false ), array( 5, $arr_9, false ) ), array( array( 1, "class_filter_type", false ) ), array( array( 1, "include", false ) ), array( array( 1, "class_filter_array", false ) ), array( array( 6, $arr_10, false ) ) ); $arr_5 = array( "fetch", array( array( 1, "content", false ) ), array( array( 1, "list", false ) ), array( array( 6, $arr_6, false ) ) ); $arr_4 = array( "footerboxes_nodes" => array( array( 6, $arr_5, false ) ) ); $arr_11 = array( array( 3, 0, 77 ), array( 6, 87, 374 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_12 = array( array( 6, 87, 375 ), array( 7, 0, 376 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ); $arr_14 = array( 7, 27, 405 ); $arr_15 = array( 10, 8, 443 ); $arr_16 = array( 2, false, " ", array( array( 10, 60, 497 ), array( 11, 12, 510 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_18 = array( 4, array( "", 2, "attribute" ), false ); $arr_19 = array( 4, array( "", 2, "mc_context" ), false ); $arr_20 = array( 5, array( array( 3, "root_node", false ) ), false ); $arr_17 = array( 4, false, "attribute_view_gui", array( "attribute" => array( $arr_18 ), "root_node" => array( $arr_19, $arr_20 ) ), array( array( 11, 12, 511 ), array( 11, 83, 582 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_21 = array( 2, false, " ", array( array( 11, 83, 583 ), array( 12, 8, 592 ), "extension/museicivici_user/design/common/templates/page_footerboxes.tpl" ) ); $arr_23 = array( 2, 0, false ); $arr_24 = array( 3, "data_map", false ); $arr_22 = array( array( 4, array( "", 2, "footerboxes_nodes" ), false ), array( 5, array( $arr_23 ), false ), array( 5, array( $arr_24 ), false ) ); $arr_25 = array( array( 4, array( "", 2, "attribute" ), false ) ); $arr_26 = array( 10, 8, 444 ); $arr_27 = array( 10, 60, 496 ); $arr_28 = array( 12, 15, 602 ); $arr_29 = array( 16, 6, 657 ); $arr_30 = array( null, null, null ); $arr_31 = array( null, null, null ); $arr_32 = array( 22, 17, 822 ); $arr_33 = array( 25, 0, 838 ); $arr_13 = array( array( 2, false, "\n
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    Leggi tutto\n
    \n \n \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    21/05 - 13/09/2015
    \n
    \nAll the possible combinations of twelve lights lighting (one at a time)
    \nMACRO Via Nizza
    Mostre

    Jonathan Monk (Leicester, UK, 1969) ha parcheggiato la sua Vespa PK all'interno del museo, con le luci accese. Il faro di testa, quello di coda, le frecce, le luci dei freni e quelle sul cruscotto si accendono e si spengono in un ordine apparentemente casuale.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    17/04 - 13/09/2015
    \n
    \nMACRO Via Nizza, Project room #1 e #2
    Mostre

    L'artista greco Nakis Panayotidis presenta una selezione di opere realizzate negli ultimi dieci anni, che fanno parte di una scelta delle opere in mostra al Kunstmuseum Bern fino allo scorso 15 marzo per la sua retrospettiva Nakis Panayotidis. Seeing the Invisible.

    \n
    \n
    \n\n \n
    \n \n \n \n \n \n \"\"\n \n \n \n \n \n
    \n
    15/05 - 13/09/2015
    \n
    \nMACRO Via Nizza
    Mostre

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    Página Inicial > Percursos temáticos > Retratos imperiales > Busto de Commodo como Hércoles
    Busto de Commodo como Hércoles
    Escultura
    180-193 d.C.
    Mármol
    cm 133

    El busto constituye una de las obras maestras más celebradas de la retratística romana y representa al emperador caracterizado como Hércules, del cual adopta sus atributos: la piel del león sobre la cabeza, la clava en la mano derecha y las manzanas de las Hespérides en la izquierda, como testimonio de algunos de los trabajos realizados por exte héroe griego.
    El busto, extraordinariamente bien conservado, apoya sobre una compleja composición alegórica: dos amazonas arrodilladas (sólo se conserva una de ellas) a ambos lados de una globo decorado con los signos zodiacales, sostienen sendas cornucopias entrelazadas entorno a una pelta, el característico escudo de las mujeres guerreras. La intención conmemorativa que, con un lenguaje rico de símbolos, impone el culto divino del emperador, resulta acentuada por la presencia de los dos tritones marinos que flanquean la figura central como símbolo de apoteosis. El grupo fue encontrando en una cámara subterránea del complejo de los Horti Lamiani, circunstancia que se ha interpretado como un intento de ocultamiento.

    Origen: Da Roma, Esquilino - Horti Lamiani (1874)
    Inventario: inv. MC1120

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